2021 COMPOSER DEVELOPMENT PROGRAM PARTICIPANTS

 

Ceridwen McCooey, 2021 Composer Development Program participant

CERIDWEN MCCOOEY Too Late for Dancing

A note from FQ: Too late for Dancing shows great effectiveness in its writing with some unique musical ideas and an innate understanding of voicing. We weren't surprised to find out that Ceridwen is a cellist herself!”

When Ceridwen was nine, she decided to play the cello after being told she was too small for double bass. She began writing for cello whilst attending the Victorian College of the Arts Secondary School where she investigated the practice of improvisation in cello repertoire. She was lucky enough to be selected for the Melbourne Recital Centres’ three year scholarship program Accelerando, an opportunity Ceridwen feels shaped her love of contemporary music performance. In 2019 Ceridwen was awarded the Kate Flowers Memorial Scholarship through the University of Melbourne for a performance demonstrating the relationship between cello and looper. She was awarded the Allan Zavod Performers award for her performance of an original composition also for solo cello and looper called The Conference of the Birds. This work became Ceridwen's debut Album which was released in early 2021 with New York based label Rhodium. In 2020 Ceridwen was commissioned by Arts Centre Melbourne to write a work as part of Memory: 5x5x5 and most recently she participated in a mentorship program with the Australian Art Orchestra. Ceridwen hopes to continue her studies at the Melbourne Conservatorium of Music in her Honours year and is also looking into a masters in composition abroad.


HANA LAVERS Teeth

A note from FQ: Teeth highlights an intricate interplay of parts, instrumental conversation and a satisfying structure. Rhythmical and intense, the culminating beauty in the final seconds is very intelligent in its writing."

"I am a Sydney-based Japanese Australian Composer, with interests in the dramatic and emotional works the late 19th century, and the use of harmony in contemporary classical pieces. I started learning the piano from around 4 or 5, and I learnt the fundamentals of piano and musical language quite early in my life (with much MUCH assistance and perseverance from mum (thanks mum)). After having a mid-life musical crisis at the tender age of 14, I dramatically quit my piano lessons, and within a year came back to music myself with a personally driven passion for not only playing, but for composing. With much help from amazing talented people and the unwavering support and patience from my parents, I am currently finishing up my composition degree at the Sydney Conservatorium of Music. Special thanks to Carl Vine who (though with love) harshly mentored me last year, and without him my string quartet would be rubbish." - Hana Lavers

Hana Lavers, 2021 Composer Development Program participant


Eugene Bally, 2021 Composer Development Program participant

EUGENE BALL  
Kaleidoscope

A note from FQ: “Kaleidoscope required a trip to the newsagent for Blu Tack, aluminium foil and paper clips. Sometimes extended techniques are an end in themselves but Eugene Ball has always kept the musical soundscape and intention at the heart of this composition. The overall effect is actually incredibly beautiful."

As one of Australia’s most active and versatile trumpet players, Eugene has toured nationally and internationally with some of Australia’s most highly acclaimed groups, including The Hoodangers, the Andrea Keller Quartet, Vince Jones, the Allan Browne Quintet, the Australian Art Orchestra, the Black Arm Band, the Bamboos, You and I, and Dan Sultan.   

As well as being a sought after performer, Eugene is a prolific and accomplished composer and arranger whose work has featured on countless recordings and television and film productions, including projects for the Black Arm Band, Kate Ceberano, Eddie Perfect, Ali McGregor, Cezary Skubiszewski, Cornel Wilczek, and Paul Grabowsky.

Eugene has received commissions from the Australia Council for the Arts; The Australian Art Orchestra; Monash and Melbourne Universities; Blackburn, Eltham and Balwyn High Schools; The Melbourne Festival; the Four Winds Festival; and the West End Composers’ Collective. 

In addition to performing and writing, Eugene currently lectures in the Bachelor of Music, Melbourne Polytechnic, and is Artistic Co-Director of the esteemed Wangaratta Festival of Jazz and Blues.


MARK VENDY Stamp Dance (4th movement) from Interesting Times

A note from FQ: "This movement of Mark's four movement piece, "Interesting Times" is a rollicking, toe-tapping (or rather stamping) ride. With a clever use of rhythmical motifs and interplay, this piece lives up to its dance title!"

Mark Vendy describes his music as idiosyncratic, often raw or emotional; personal but not biographical nor narrative, and says that “Interesting Times” is a personal response to the year 2020.

Mark has been a part-time radio producer, programmer, interviewer and announcer for 35 years, is a "sometime cellist" and has dabbled with violin. He is a grandfather who lists Hector Berlioz as his favourite composer. Since 2015, Mark has composed three string quartets, string chamber music, an orchestral suite arranged from the piano music of American composer, Barry Pasicznyk, a suite for string orchestra and flutes, as well as other music for orchestra, and for brass ensemble, organ and chorus.

Mark Vendy, 2021 Composer Development Program participant


Alexander Voltz, 2021 Composer Development Program participant

ALEXANDER VOLTZ String Quartet No. 1

A note from FQ: “Extremely mature in its construction and compositional ideas, this piece is very sure of itself and shows a clear musical voice. It's always exciting to discover a work of this calibre."

Alexander Voltz's work takes inspiration from myth, politics and the historic, whilst also deconstructing and challenging the human condition. His music has been performed and supported by the Melbourne Symphony Orchestra, Opera Queensland, Australian National Academy of Music, Flinders Quartet, Australian Youth Orchestra, Queensland Youth Orchestras, The University of Queensland and others. He has collaborated with musicians including Graham Abbott, Susan Ellis, Alex Raineri and Bradley Voltz.

22-year-old Voltz was a winner in Artology's 2015 Fanfare Competition (Sydney) and reached the semi-finals of the Bartok World Composition Competition (Budapest) in both 2018 and 2020. He was awarded The University of Queensland's Prize for Composition in 2019 and 2021. In 2018, he conducted several performances of his chamber symphony Sontsovka across North Queensland. Voltz attended the Australian Youth Orchestra's 2020 National Music Camp as a composition participant, and was engaged with the Melbourne Symphony Orchestra's Cybec 21st Century Composers' Program also in that year. His chamber opera, Edward and Richard: The True Story of the Princes in the Tower, premiered in July 2021 in Brisbane.

Voltz wrote pieces for Brisbane Boys' College while he was a student there, including his cohort's graduation song. He is enrolled at The University of Queensland, where he studied viola performance under Patricia Pollett, and then studied composition with Robert Davidson as the primary focus of his Bachelors of Music (Hons). His Honours thesis investigated harmonic language within his music, and argued that contemporary art music composers should aspire towards authenticity, rather than originality or imitation. Voltz has also benefited from the mentorships of several other leading Australian composers, including Brenton Broadstock AM, Melody Eötvös, Nicole Murphy and Cathy Likhuta. Voltz also studies a Bachelor of Arts, majoring in Ancient History/History and Writing. He has penned articles for Limelight Magazine and 4MBS Classic FM.

As a violist, Voltz is an alumnus of the Queensland Youth Symphony and the University of Queensland Symphony Orchestra. He has performed under several renowned Australian conductors, including John Curro AM MBE and Richard Gill AO, and has undertaken international tours to Germany, China and the United States.

Voltz lives in Brisbane, Australia. He signs his work A. D. K. Voltz, and is currently the youngest composer represented by the Australian Music Centre - though probably not for long!